La sieste (1922) by Gerda Wegener Style:Wood frame Johnston made self-image into provocation
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La sieste (1922) by Gerda Wegener Style:Wood frame Johnston made self-image into provocationGerda Wegeners La sieste (1922) catches an unidentified woman in bed, half dreaming over Les Liaisons dangereuses which changes everything from nap to deliciously knowing pause. Centre Pompidou records the work as graphite and watercolour on paper, later bought by the French state in 1932. Wegeners Paris success, sapphic imagery and gender play were shaped by Lili Elbe, her spouse, muse and a defining figure in trans history. In conservative Denmark,
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