c.1974 Karl Lagerfeld for Chloe Blue Floral Print Silk Print Dress & Capelet designer-guy-laroche Te curved edges of the

Te curved edges of the heart act as both a design and also to mimic the look of a corset strapped around the waist

fabric covered snaps to close

The neck scoops at the front but the back is left completely bare - that bit of sexiness I mentioned above

It is cut on the bias with a second layer in a matching silk acting as its lining

fine silk brocade gown with shots of gold worked through the floral pattern

c.1974 Karl Lagerfeld for Chloe Blue Floral Print Silk Print Dress & Capelet designer-guy-laroche Te curved edges of theFor the 1974 Chloe collection, Karl Lagerfeld did flowing silks cut on the bias in a plethora of floral prints. It is these collections during the years between 1969 and 1975 that we still see heavily influence the modern bohemian feel of Chloe today. Examples of his work during this time period are held in museums around the world. This wonderful little dress is truly exceptional. In person it is far far better then how it photoed on a dress form. It